The study assesses music as an investment asset class using discounted cashflow models.
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Recent neural waveform synthesizers such as WaveNet, WaveGlow, and the neural-source-filter (NSF) model have shown good performance in speech synthesis despite their different methods of waveform generation. The similarity between speech and music audio synthesis techniques suggests interesting avenues to explore in te…
Anticipatory model generates music with control over events.
A model of music needs to have the ability to recall past details and have a clear, coherent understanding of musical structure. Detailed in the paper is a deep reinforcement learning architecture that predicts and generates polyphonic music aligned with musical rules. The probabilistic model presented is a Bi-axial LS…
Dual-track model generates classical piano music better than other methods.
Achieving advancements in automatic recognition of emotions that music can induce require considering multiplicity and simultaneity of emotions. Comparison of different machine learning algorithms performing multilabel and multiclass classification is the core of our work. The study analyzes the implementation of the G…
As deep learning advances, algorithms of music composition increase in performance. However, most of the successful models are designed for specific musical structures. Here, we present BachProp, an algorithmic composer that can generate music scores in many styles given sufficient training data. To adapt BachProp to a…
Bi-LSTM with attention generates jazz music with rich nuances.
Music SketchNet generates missing measures in incomplete music pieces, guided by user input.
Music Inpainting is the task of filling in missing or lost information in a piece of music. We investigate this task from an interactive music creation perspective. To this end, a novel deep learning-based approach for musical score inpainting is proposed. The designed model takes both past and future musical context i…
We address the challenging open problem of learning an effective latent space for symbolic music data in generative music modeling. We focus on leveraging adversarial regularization as a flexible and natural mean to imbue variational autoencoders with context information concerning music genre and style. Through the pa…
South Indian classical music (Carnatic music) is best consumed through live concerts. A carnatic recital requires meticulous planning accounting for several parameters like the performers' repertoire, composition variety, musical versatility, thematic structure, the recital's arrangement, etc. to ensure that the audien…
We introduce MIDI-VAE, a neural network model based on Variational Autoencoders that is capable of handling polyphonic music with multiple instrument tracks, as well as modeling the dynamics of music by incorporating note durations and velocities. We show that MIDI-VAE can perform style transfer on symbolic music by au…
Generating music medleys is about finding an optimal permutation of a given set of music clips. Toward this goal, we propose a self-supervised learning task, called the music puzzle game, to train neural network models to learn the sequential patterns in music. In essence, such a game requires machines to correctly sor…
Realistic music generation is a challenging task. When building generative models of music that are learnt from data, typically high-level representations such as scores or MIDI are used that abstract away the idiosyncrasies of a particular performance. But these nuances are very important for our perception of musical…
We present a supervised neural network model for polyphonic piano music transcription. The architecture of the proposed model is analogous to speech recognition systems and comprises an acoustic model and a music language model. The acoustic model is a neural network used for estimating the probabilities of pitches in …
Real music signals are highly variable, yet they have strong statistical structure. Prior information about the underlying physical mechanisms by which sounds are generated and rules by which complex sound structure is constructed (notes, chords, a complete musical score), can be naturally unified using Bayesian modell…
Scientists have used many different classification methods to solve the problem of music classification. But the efficiency of each classification is different. In this paper, we propose two compared methods on the task of music style classification. More specifically, feature extraction for representing timbral textur…
A new neural network separates vocals from music accompaniment.
Transformer improves pop piano composition by incorporating beat-based structure.
Discovering and exploring the underlying structure of multi-instrumental music using learning-based approaches remains an open problem. We extend the recent MusicVAE model to represent multitrack polyphonic measures as vectors in a latent space. Our approach enables several useful operations such as generating plausibl…
This paper introduces a new large-scale music dataset, MusicNet, to serve as a source of supervision and evaluation of machine learning methods for music research. MusicNet consists of hundreds of freely-licensed classical music recordings by 10 composers, written for 11 instruments, together with instrument/note annot…
Music genre classification is an essential tool for music information retrieval systems and it has been finding critical applications in various media platforms. Two important problems of the automatic music genre classification are feature extraction and classifier design. This paper investigates inter-genre similarit…
We present a new approach to harmonic analysis that is trained to segment music into a sequence of chord spans tagged with chord labels. Formulated as a semi-Markov Conditional Random Field (semi-CRF), this joint segmentation and labeling approach enables the use of a rich set of segment-level features, such as segment…
In this paper, we propose and develop the novel idea of treating musical sheets as literary documents in the traditional text analytics parlance, to fully benefit from the vast amount of research already existing in statistical text mining and topic modelling. We specifically introduce the idea of representing any give…
Music genre is arguably one of the most important and discriminative information for music and audio content. Visual representation based approaches have been explored on spectrograms for music genre classification. However, lack of quality data and augmentation techniques makes it difficult to employ deep learning tec…
Feature learning and deep learning have drawn great attention in recent years as a way of transforming input data into more effective representations using learning algorithms. Such interest has grown in the area of music information retrieval (MIR) as well, particularly in music audio classification tasks such as auto…
Throughout music history, theorists have identified and documented interpretable rules that capture the decisions of composers. This paper asks, "Can a machine behave like a music theorist?" It presents MUS-ROVER, a self-learning system for automatically discovering rules from symbolic music. MUS-ROVER performs feature…
Generating musical audio directly with neural networks is notoriously difficult because it requires coherently modeling structure at many different timescales. Fortunately, most music is also highly structured and can be represented as discrete note events played on musical instruments. Herein, we show that by using no…
Modelling the real world complexity of music is a challenge for machine learning. We address the task of modeling melodic sequences from the same music genre. We perform a comparative analysis of two probabilistic models; a Dirichlet Variable Length Markov Model (Dirichlet-VMM) and a Time Convolutional Restricted Boltz…
This work aims to examine one of the cornerstone problems of Musical Instrument Retrieval (MIR), in particular, instrument classification. IRMAS (Instrument recognition in Musical Audio Signals) data set is chosen for this purpose. The data includes musical clips recorded from various sources in the last century, thus …
Bardo Composer generates tabletop RPG music based on player speech.
MuLan links music audio to natural language tags.
The study uses historical revenue data to forecast music catalog cashflows and multipliers.
Trains word embeddings from music and text data to link music contexts.
We consider the problem of learning high-level controls over the global structure of generated sequences, particularly in the context of symbolic music generation with complex language models. In this work, we present the Transformer autoencoder, which aggregates encodings of the input data across time to obtain a glob…
We explore the task of local music recommendation: provide listeners with personalized playlists of relevant tracks by artists who play most of their live events within a small geographic area. Most local artists tend to be obscure, long-tail artists and generally have little or no available user preference data associ…
We propose a novel approach for the generation of polyphonic music based on LSTMs. We generate music in two steps. First, a chord LSTM predicts a chord progression based on a chord embedding. A second LSTM then generates polyphonic music from the predicted chord progression. The generated music sounds pleasing and harm…
Paper tackles musical version matching at segment level using contrastive learning from weakly-labeled data.
Recently, digital music libraries have been developed and can be plainly accessed. Latest research showed that current organization and retrieval of music tracks based on album information are inefficient. Moreover, they demonstrated that people use emotion tags for music tracks in order to search and retrieve them. In…
This paper studies the prediction of chord progressions for jazz music by relying on machine learning models. The motivation of our study comes from the recent success of neural networks for performing automatic music composition. Although high accuracies are obtained in single-step prediction scenarios, most models fa…
Music generation research has grown in popularity over the past decade, thanks to the deep learning revolution that has redefined the landscape of artificial intelligence. In this paper, we propose a novel approach to music generation inspired by musical segment concatenation methods and hash learning algorithms. Given…
We present a framework based on neural networks to extract music scores directly from polyphonic audio in an end-to-end fashion. Most previous Automatic Music Transcription (AMT) methods seek a piano-roll representation of the pitches, that can be further transformed into a score by incorporating tempo estimation, beat…
Automatic music transcription is considered to be one of the hardest problems in music information retrieval, yet recent deep learning approaches have achieved substantial improvements on transcription performance. These approaches commonly employ supervised learning models that predict various time-frequency represent…
Automatic Music Transcription (AMT) is one of the oldest and most well-studied problems in the field of music information retrieval. Within this challenging research field, onset detection and instrument recognition take important places in transcription systems, as they respectively help to determine exact onset times…
Paper tackles score following in full-page sheet music images.
Music relies heavily on repetition to build structure and meaning. Self-reference occurs on multiple timescales, from motifs to phrases to reusing of entire sections of music, such as in pieces with ABA structure. The Transformer (Vaswani et al., 2017), a sequence model based on self-attention, has achieved compelling …
We explore the potential of a popular distributional semantics vector space model, word2vec, for capturing meaningful relationships in ecological (complex polyphonic) music. More precisely, the skip-gram version of word2vec is used to model slices of music from a large corpus spanning eight musical genres. In this newl…