A new framework enhances binaural audio for moving talkers.
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This paper addresses the problem of localizing audio sources using binaural measurements. We propose a supervised formulation that simultaneously localizes multiple sources at different locations. The approach is intrinsically efficient because, contrary to prior work, it relies neither on source separation, nor on mon…
From a machine learning perspective, the human ability localize sounds can be modeled as a non-parametric and non-linear regression problem between binaural spectral features of sound received at the ears (input) and their sound-source directions (output). The input features can be summarized in terms of the individual…
This paper proposes a zero-shot learning approach for audio classification based on the textual information about class labels without any audio samples from target classes. We propose an audio classification system built on the bilinear model, which takes audio feature embeddings and semantic class label embeddings as…
Recently, there has been great interest in the field of audio style transfer, where a stylized audio is generated by imposing the style of a reference audio on the content of a target audio. We improve on the current approaches which use neural networks to extract the content and the style of the audio signal and propo…
Deep convolutional neural networks are known to specialize in distilling compact and robust prior from a large amount of data. We are interested in applying deep networks in the absence of training dataset. In this paper, we introduce deep audio prior (DAP) which leverages the structure of a network and the temporal in…
Spatial audio is an essential medium to audiences for 3D visual and auditory experience. However, the recording devices and techniques are expensive or inaccessible to the general public. In this work, we propose a self-supervised audio spatialization network that can generate spatial audio given the corresponding vide…
Method learns audio embeddings with contextualized tags.
Online audio advertising is a particular form of advertising used abundantly in online music streaming services. In these platforms, which tend to host tens of thousands of unique audio advertisements (ads), providing high quality ads ensures a better user experience and results in longer user engagement. Therefore, th…
Audio features have been proven useful for increasing the performance of automated topic segmentation systems. This study explores the novel task of using audio embeddings for automated, topically coherent segmentation of radio shows. We created three different audio embedding generators using multi-class classificatio…
MicAugment transfers audio style from few seconds of input to match target conditions.
Speech enhancement (SE) aims to reduce noise in speech signals. Most SE techniques focus only on addressing audio information. In this work, inspired by multimodal learning, which utilizes data from different modalities, and the recent success of convolutional neural networks (CNNs) in SE, we propose an audio-visual de…
Speech enhancement (SE) aims to reduce noise in speech signals. Most SE techniques focus only on addressing audio information. In this work, inspired by multimodal learning, which utilizes data from different modalities, and the recent success of convolutional neural networks (CNNs) in SE, we propose an audio-visual de…
Unified model for audio control and style transfer.
Audio fingerprinting, also named as audio hashing, has been well-known as a powerful technique to perform audio identification and synchronization. It basically involves two major steps: fingerprint (voice pattern) design and matching search. While the first step concerns the derivation of a robust and compact audio si…
Transformer model estimates keywords for better audio captioning.
This paper describes Task 2 of the DCASE 2018 Challenge, titled "General-purpose audio tagging of Freesound content with AudioSet labels". This task was hosted on the Kaggle platform as "Freesound General-Purpose Audio Tagging Challenge". The goal of the task is to build an audio tagging system that can recognize the c…
AV-CPL uses continuous pseudo-labels for AVSR combining labeled and unlabeled data.
Time-frequency (TF) representations provide powerful and intuitive features for the analysis of time series such as audio. But still, generative modeling of audio in the TF domain is a subtle matter. Consequently, neural audio synthesis widely relies on directly modeling the waveform and previous attempts at unconditio…
HEAR benchmark evaluates audio representations for diverse tasks.
Proposes COALA method for learning audio representations aligned with tags.
This paper shows the susceptibility of spectrogram-based audio classifiers to adversarial attacks and the transferability of such attacks to audio waveforms. Some commonly used adversarial attacks to images have been applied to Mel-frequency and short-time Fourier transform spectrograms, and such perturbed spectrograms…
In this paper we present ensembles of classifiers for automated animal audio classification, exploiting different data augmentation techniques for training Convolutional Neural Networks (CNNs). The specific animal audio classification problems are i) birds and ii) cat sounds, whose datasets are freely available. We tra…
Mic2Mic reduces microphone variability for speech systems.
As the technology is advancing, audio recognition in machine learning is improved as well. Research in audio recognition has traditionally focused on speech. Living creatures (especially the small ones) are part of the whole ecosystem, monitoring as well as maintaining them are important tasks. Species such as animals …
FSD50K provides an open dataset of over 51k audio clips for sound event recognition.
Nonnegative matrix factorization (NMF) is now a common tool for audio source separation. When learning NMF on large audio databases, one major drawback is that the complexity in time is O(FKN) when updating the dictionary (where (F;N) is the dimension of the input power spectrograms, and K the number of basis spectra),…
Audio processing models based on deep neural networks are susceptible to adversarial attacks even when the adversarial audio waveform is 99.9% similar to a benign sample. Given the wide application of DNN-based audio recognition systems, detecting the presence of adversarial examples is of high practical relevance. By …
This research tackles backdoor attacks on audio data using a stochastic investment approach.
WaveGrad generates high-fidelity audio using gradient estimation.
GACELA fills long gaps in musical audio with a GAN and context conditioning.
Given the recent surge in developments of deep learning, this article provides a review of the state-of-the-art deep learning techniques for audio signal processing. Speech, music, and environmental sound processing are considered side-by-side, in order to point out similarities and differences between the domains, hig…
System tackles indeterminacies in automated audio captioning.
Proposes GAAE for high-fidelity audio generation and representation learning.
New method allows real-time audio synthesis using non-causal convolutions.
MuLan links music audio to natural language tags.
Efficient neural network for audio source separation.
Existing automatic music generation approaches that feature deep learning can be broadly classified into two types: raw audio models and symbolic models. Symbolic models, which train and generate at the note level, are currently the more prevalent approach; these models can capture long-range dependencies of melodic st…
Efficient audio synthesis is an inherently difficult machine learning task, as human perception is sensitive to both global structure and fine-scale waveform coherence. Autoregressive models, such as WaveNet, model local structure at the expense of global latent structure and slow iterative sampling, while Generative A…
Capturing high-level structure in audio waveforms is challenging because a single second of audio spans tens of thousands of timesteps. While long-range dependencies are difficult to model directly in the time domain, we show that they can be more tractably modelled in two-dimensional time-frequency representations suc…
Generative adversarial network improves audio inpainting for long gaps.
This research converts visual information into audio for users to perceive.
Adversarial audio attacks can be considered as a small perturbation unperceptive to human ears that is intentionally added to the audio signal and causes a machine learning model to make mistakes. This poses a security concern about the safety of machine learning models since the adversarial attacks can fool such model…
CrossFilter tackles noisy labels in audio tagging.
Gaussian process (GP) audio source separation is a time-domain approach that circumvents the inherent phase approximation issue of spectrogram based methods. Furthermore, through its kernel, GPs elegantly incorporate prior knowledge about the sources into the separation model. Despite these compelling advantages, the c…
This paper introduces Task 2 of the DCASE2019 Challenge, titled "Audio tagging with noisy labels and minimal supervision". This task was hosted on the Kaggle platform as "Freesound Audio Tagging 2019". The task evaluates systems for multi-label audio tagging using a large set of noisy-labeled data, and a much smaller s…
We present a method for audio denoising that combines processing done in both the time domain and the time-frequency domain. Given a noisy audio clip, the method trains a deep neural network to fit this signal. Since the fitting is only partly successful and is able to better capture the underlying clean signal than th…
GGAN improves audio representation learning with fewer labels.